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Atomos Shogun Studio 2 HDR Dual Monitor 4Kp60 Rackmount Recorder

The Atomos Shogun Studio 2 HDR Dual Monitor 4Kp60 Rackmount Recorder is state-of-the-art Atomos multi-channel recording technology.

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R80,000.00

Out of stock

Out of stock

Description

Atomos Shogun Studio 2 HDR Dual Monitor 4Kp60 Rackmount Recorder

The Atomos Shogun Studio 2 HDR Dual Monitor 4Kp60 Rackmount Recorder is state-of-the-art Atomos multi-channel recording technology.

The Atomos Shogun Studio 2 HDR Dual Monitor 4Kp60 Rackmount Recorder is a flexible Dual Monitor Rackmount Recorder that takes state-of-the-art Atomos multi-channel recording technology and combines it with two premium 7” HDR 3000nit* high bright touchscreen displays, all in a single 3RU unit.

Its unique combination of features makes it perfect for live events, outside broadcast vehicles, production galleries and MCRs, post-production facilities, video wall playout, on-set DITs and sports officiating. Connect to practically any SDI or HDMI source including camera channels, PTZ cameras and vision mixers.

Record multiple formats

The Rackmount Recorder records either two channels of 4Kp60, or up to eight HDp60 sources in industry-standard Apple ProRes, ProRes RAW, and AVID DNx codecs. Free your workflow from the constraints of highly compressed GOP-based codecs and their associated artifacts. Replace them with clean images captured directly from the sensors of your camera channels using modern Intra-frame codecs.

Both ProRes and DNx are robust, easy to edit, color-accurate production codecs used throughout the industry. You can even take this one step further and record ProRes RAW from a wide range of cinema cameras for maximum fidelity.

Playback and Edit

Review or play out your footage directly on the Shogun Studio 2 using the innovative touchscreen controls. Playback and playout up to 4Kp60 video, or 2K/HD high frame rate footage slowed down in the unit itself. Playlists can be created from clips either recorded on an Atomos recorder, or from your edit system in a supported codec, resolution and frame rate.

RACK READY

The Atomos Shogun Studio 2 HDR Dual Monitor 4Kp60 Rackmount Recorder only takes 3RU of space and has a short rack depth making it perfect for use in monitor bridges or in small mobile broadcast vehicles. Redundant dual power supplies balance the power load.

The rear of the Rackmount Recorder provides grouped connectivity for each of the recorder channels with 12G, 6G, 3G (single, Dual, Quad) and 1.5B SDI I/O, HDMI with support for both the inputs and outputs, plus XLR audio I/O, Genlock and LTC input and loop through.

RECORD

The Rackmount Recorder offers Pre Roll recording with an 8-second cache in HD, or 2-3 seconds in 4K, to make sure you never miss the action. It also offers Multi-Camera ISO recording and Switching of up to 8 SDI inputs from cameras at up to 1080 p60. Each bank of 4 inputs also benefits from a switched output allowing you to have two videos switched.

The ProRes RAW Advantage

ProRes RAW is now firmly established as the new standard for RAW video capture, with an ever-growing number of supported HDMI and SDI cameras. ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes.

The format gives filmmakers enormous latitude when adjusting the look of their images and extending brightness and shadow detail, making it ideal for HDR workflows. Both ProRes RAW, and the higher bandwidth, less compressed ProRes RAW HQ are supported.

Manageable file sizes speed up and simplify file transfer, media management, and archiving. ProRes RAW is fully supported in Final Cut Pro, Adobe Premiere Pro, Avid Media Composer 2020.10 update, along with a collection of other apps including ASSIMILATE SCRATCH, Colorfront, FilmLight Baselight and Grass Valley Edius.

SCREEN TECHNOLOGY

Class-leading screen technology

The dual 7” screens of the Rackmount Recorder have advanced dynamic zoned backlighting for deeper blacks and brighter whites, while retaining every detail in the highlights. See what the camera channel is capturing with unparalleled precision and use the advanced HDR tools for Log or RAW to ensure perfect exposure, colour and white balance.

Key Features

  • Dual 7″ 3000 cd/m² Monitors
  • 4K60 Continuous Recording/Monitoring
  • SDI & HDMI I/O with Conversion
  • Stereo XLR I/O per Ch. & Phantom Power
  • ProRes RAW, ProRes, DNxHR, CDNG Support
  • Multicam 4 x 1080p60 SDI ISO Recordings
  • 3RU Rackmount Solution

In the Box

  • Atomos Shogun Studio 2 HDR Dual Monitor 4Kp60 Rackmount Recorder
  • 2 x Rack Ear with Screws
  • Atomos Master Caddy II (5-Pack)
  • 4 x Rubber Foot
  • 2 x Large Rubber Foot
  • 2 x IEC Power Cable
  • Screen Cleaning Cloth
  • Limited 1-Year Warranty

Please note:
Specifications are subject to change without notice.
All information correct at time of publishing.

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Specifications

Weight

Weight: 5.0kg / 11lb

Rack height: 3RU

Rack mounting: Removable rack ears

Dimensions (W x H x D mm):

447 x 152 x 280mm, 17.6 x 6.0 x 11.0”(without rack ears)

490 x 152 x 280mm, 19.3 x 6.0 x 11.0” (with rack ears)

Construction: Steel construction for durability

Cooling: Actively controlled fan with heat sinks

Power

Operating power (including SSD): 20 – 86W

Compatible batteries: No

Input voltage (battery): –

DC Out: No

Touchscreen

Size: 7.2”

Resolution: 1920 x 1200

PPI: 325

Aspect ratio: 16:9 native

Color Gamut: Up to Wide color gamut (105% DCI-P3)

Look up table (LUT) support: 3D LUT (.cube format)

Technology: SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional X-Rite unit

Anamorphic de-squeeze: 2x, 1.5x, 1.33x, Panasonic 4:3

Technology: Dynamic AtomHDR zoned backlight

Dynamic AtomHDR Technology

Backlight: Direct LED

Zones: 360 direct backlight individual LEDs

LEDs: Wide Color Calibrated D65 or D95

Bit depth: 10-bit (8+2 FRC)

Color: DCI-P3 105%

Brightness: 3000nit (+/- 10%)

Control: On the fly real-time brightness analysis for LED control

HDR Conversion: Log/RAW to HLG or PQ, Dolby Vision Loop out

HDR Monitoring Technology

Gamma: Sony SLog / SLog2 / SLog3 Canon CLog / CLog2 / Clog3 ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / Log- CEI1600 Panasonic Vlog JVC JLog1 RED Log3G10 / RED LogFilm / FujiFilm F-log / Nikon N-Log PQ10k and HLG

Gamut: Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / DCI P3 / DCI P3+ Nikon BT2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 / BT.2020 JVC RED WideGamut / RED DragonColor / DragonColor2 / RED Color2 / RED Color3 / RED Color4

Video Input/Loop Out

HDMI: HDMI 1 x HDMI (2.0)**

SDI: Quad Link 4 x 3G/6G SDI*, 4 x 3G-SDI, 2x 12G single link SDI

Signal (camera dependent): Uncompressed true 10-bit or 8-bit 422

LTC (Record Mode Only): LTC input signal and loop out

Genlock (Playback Mode Only): Genlock input signal and loop out

Video Output (Play Out)

HDMI: 1 x HDMI (2.0)**

SDI (Play Out): 1 x Single link SDI 12G/6G/3G/1.5G, Optional 2nd SDI output available in Playback mode

Signal: Uncompressed true 10-bit or 8-bit 422 (playback file dependent)

Video Signal Conversion

HDMI to SDI: 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60

SDI to HDMI: 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60

Signal: Uncompressed true 10-bit or 8-bit 422 (playback file dependent)

Audio In/Out (48kHz PCM Audio) (Per Channel)

HDMI: 2 or 8ch 24-bit, camera dependent

SDI: 12ch 48kHz 24-bit

Audio:

2ch balanced XLR analogue in/out Dynamic range >90dB

Max signal level +24dBu

3.5mm 2ch.

Supported Codecs & Frame Rates (Record & Playback)

Raw to:

ProRes RAW, ProRes

CinemaDNG (CDNG up to 30p only)

Avid DNxHD

Sony^^ FS700, FS-5, FS-7, FS-7MkII:

4K DCI; 24/25/30/50/60p

4K UHD; not supported in camera

2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera

Canon C300MKII/C500 CDNG:

4K DCI; 24/25/30p

4K UHD; 24/25/30p

2K; not supported in camera 1080; not supported in camera

Panasonic VaricamLT, EVA1:

5.7K DCI; 24/25/30p (EVA1 ProRes RAW only)

4K DCI; 24/25/30/50/60p

4K UHD; 24/25/30/50/60p

2K; 24/25/30/50/60/100/120/200/240p

1080; not supported in camera

Supported base resolution & FPS from cameras:

2K DCI: 23.98/24/25/29.9/30/50/59.94/60p

1080p: 23.98/24/25/29.9/30/50/59.94/60p

1080i: 50/59.94/60i

720p: 50/60p

PSF inputs converted to P but looped out as PSF

Supported FPS & resolution from gaming consoles and graphic cards:

4k UHD: 24/25/30/50/60p

Onboard Processing

Pulldown removal: 24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)

4K UHD downscale for HD monitoring: Yes – Loop-out and playback (Not available in all RAW modes)

Remote Control

HDMI:

Auto HDMI Trigger

Supported Protocols – Dolby Vision, Canon, Sony, Atomos Open Standard

RS422*: 9pin transport control on qualified controllers

SDI: SDI trigger camera selectable

Other: LANC control – Slave / Calibration on front. Serial – Calibration on front

Playback

Playlist / Genlock / LTC: Yes / Yes / No

CDNG (Recorded content): No support

ProRes (Recorded content) All recorded files can playback.

Playback in slow motion >= 100fps.

DNxHR / DNxHD (recorded content): All recorded files can playback.

Playback in slow motion >= 100fps.

Recording

Pre-roll record: Yes (HD 8s, 4K 2s)

ISO Record: Up to 8 streams in 60pHD in parallel

Custom timelapse: Yes*

Supported media: 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/ drives for list of tested and approved drives

Master caddy case: Master Caddy II (included) 75mm x 105mm x 12mm

Supported applications: Final Cut Pro / Media Composer / Premiere Pro / After Effects / EDIUS / Vegas Pro / Lightworks / Autodesk Smoke

Warranty

Standard 1 year. Extend to 3 yrs on product registration

 

Please note:
Specifications are subject to change without notice. All information correct at time of publishing.
* This feature will be added in future Firmware update.
** Link between channel 1 and 2 is limited to 4kDCI at 30p
^^ FS700 and FS5mkii require RAW firmware upgrade. FS7 mki/ii require XDCA-FS& extension unit.